Rebel Up radio with a focus on (contemporary) music from Bosnia Herzegovina & Serbia with experimental rock, sinti rom rock, social political hiphop, roots, feminist raggamuffin and bass.
Rebel Up! dj’s + Mc Killo Killo (Serbia)
A night with global beats, balkan mashups, dancehall bass & live opera ragga MC-ing!
Mc Killo Killo is a dj/mc specialized for making amazing parties (balkan, tropical, world-beats) full of drunken dances and genial singing and toasting skills during his dj performance…
as always ~FREE IN~!
22:00 til very late…
Steenstraat 9 Rue des Pierres, 1000, BXL
this thursday, a special Akwaaba Soundsystem night hosted by Rebel Up! & Lowup, with special guest BBrave straight from Ghana!
Dj BBrave alias Benjamin Lebrave is the man behind Akwaaba Music – THE label to promote all kinds of new African electronic dance music from the source. Since a few years, the label is running from Accra, Ghana and it’s aim is to support young & upcoming musicians. There will be Coupé Décalé! Hiplife! Azonto! Kuduro! Naija! Don’t know any?! Don’t worry come and let the rhythm take you!
Max Le Daron – Young producer and DJ from Brussels (Belgium) of the Lowup crew, Max le Daron distils a mix of electronic music from all over the world, with a huge influence of the UK Bass music culture.
BBrave & max Le Daron will play together as their new Akwaaba Soundsystem project!
Leblanc – Experienced Brussels DJ of the eclectic Rebel Up! crew with a fresh approach to global beats from the global underground!
Be prepared for 70 minutes of fast Carribean party beats at 155BPM, it’s time for ‘Bouyon Hardcore’!
Bouyon is a kind of soca music from the Lesser Antilles island of Dominica, which originated in the late 80’s and is said to be invented by the band Windward Carribean Kulture.
Also, ‘bouyon’ is creole for the French word ‘bouillon’, which means ‘stock’ or ‘soup’ as a metaphor for the music which is a blend of different local (Carribean) styles, a musical ‘soup’.
According to Wikipedia: “Bouyon in effect represents a fusion of zouk and soca music but also draws upon cadence-lypso, jing ping and lapo kabwit elements in term of rhythms. Bouyon music is very dependent on the drum machine, cowbell and keyboards with guitars receding into the background. As such, it has a very strident rhythm and is aptly referred to as jump up music by the population in Guadeloupe and Martinique.”
some examples of these fusion styles >
An article at Cakafete Family elaborates further; “Like the other Francophone musics of the Lesser Antilles, Dominican folk music is a hybrid of African and European elements. The quadrille is an important symbol of French Antillean culture, and is, on Dominica, typically accompanied by a kind of ensemble called a Jing Ping band. In addition, Dominica’s folk tradition includes folk songs called bélé, traditional storytelling called kont, masquerade, children’s and work songs, and Carnival music.”
some Jing Ping sounds:
From the start, bouyon bands and producers mixed up acoustic, electric and electronic sounds and instruments like accordeon, synth, organ, guitar, bass, brass, drums, steel pans etc.
A mix by dj Easy of old skool bouyon:
But under the influence of a global dj-culture – the emergence of dj’s, mc’s, producers, clubs and new music production technologies – the bouyon sound has evolved into rough digital club music. In the Carribean, in terms of music output, probably the most dense and diverse region of this planet, it’s of no surprise that ragga dancehall from Jamaica or Martinique and soca from St Lucia, Grenada or Trinidad, were a big influence on the evolution of bouyon.
Reketeng or bouyon dancehall (muffin):
Bouyon soca from St Lucia:
Power soca from Grenada:
“On pourrait même faire un deuxième volume du kamasutra en regardant les différents « main a tè…, fess en lè ».”. (“Looking at the different “hands on yer…, booty in the air”, one could even make a second volume of the Kamasutra”)
A recent new substyle – from the last 3 years or so- is called ‘hardcore‘, with ‘bouyon gwada‘ as its Guadeloupean equivalent. It is bouyon with raw, often explicit sexual or violent lyrics, either in English, French or Creole, on heavy percussive riddims while melodies sound cheap, simplified and stripped down. Often one succesful riddim has, in a true reggae dancehall style, different versions. The accompanying dance moves are a mix of booty shaking and dynamic adult sex positions, kind of similar to American twerking, Ivorian mapouka (https://www.youtube.com/watch?v=0IbJZ23yrUA) or Brasilian ‘popozuda’ shaking in baile funk (https://www.youtube.com/watch?v=dnnApv5940A).
This new bouyon from the French Antilles is gaining popularity all over the Carribean, competing with the local dancehall scene for the attention of the audience, although the lines between the two scenes are blurred. With dancehall singers doing bouyon and vice versa, playing for the same kind of audience.
Internationally, it took until december 2012 before the first dominican and guadeloupean mc’s and dj’s came to Paris, home to a large part of the antillian diaspora in France. There’s a 50 min documentary in French & creole of the first and impressive performance in Paris of Suppa, Gaza Girls, Dj Joe and others, although the questions of the interviewer are not necessarily more interesting than the answers of the interviewees, which we don’t fully understand neither, because it’s in Creole.
And another docu:
Unfortunately, bouyon is also ‘hardcore’ because of an associated context of violence, drugs, alcohol and weapons, which relates to the state of global poverty as experienced in the ‘banlieues’, ‘favela’s’, ‘musseques’, ‘townships’, in short, the ‘slums’ of this world. And it can go pretty fast sometimes, with the featured singer General Suppa been stabbed to death in May 2013 and more recently, with Miky Ding La, who has been shot during a show, but survived with only light injuries.
Footage from Suppa’s funeral in bouyon style:
With Miky Ding La (weed, tou lè jou!) we’re in the heart of a ‘worried parents’ storm. A Guadeloupean article for example, first neutrally discusses its origins, then turns into rejecting bouyon for being ‘pornophonie’ to finally call for a ban. One of the comments:
“Si on devait se mettre à la place d’un cerveau pour imaginer toutes ces paroles, la première chose qui vous viendrait à l’esprit c’est un film porno ! Alors si un film porno est interdit au moins de 18 ans… le Bouyon Gwada devrait l’être aussi ! Logique non ? … Ben non !”
translation > “If we had to put ourselves in the place of a brain in order to imagine all these words, the first thing that would come to mind is a porn movie! So if porn movies are forbidden for -18 years, then the Bouyon Gwada should also be forbidden! Logical, no? Apparently not!”
This is probably the nightmare they’re thinking of:
and this recent blogpost shows Dominican complaints about the new Triple Kay song ‘Pum Pum Getting Big’
From a local point of view we can’t tell how popular or how marginal it is in Guadeloupe. Although, looking at the relative high numbers of hits on youtube ranging in average from 5.000-50.000+, for clips from bouyon artists coming from such small islands (70.000+ people), you can imagine that the battle for censorship will be tough to continue.
On the other hand, the bouyon club music is also an example of how cheap computers, midi interfaces, internet access, Fruity Loops and other free or cracked music software, have become global catalysts for creating new music styles in a DIY fashion, which are, unlike most euro-anglo-american pop, firmly rooted in local, transnational and diasporic music traditions. The Fruity Loops generation makes tribal guarachero, baile funk, kwaito house, coupé décalé, azonto, kuduro, pandza, digital cumbia and bouyon is certainly no exception to this.
After making this mixtape, we found out that earlier this year, the great German dj and selector Marflix had already made an excellent podcast of bouyon. His mix features some of the riddims we also picked up, but in different versions and it is more soca influenced: http://marflix.me/2013/03/riddims-tropicale-29-bouyon-edition/
disclaimer to our Bouyon Hardcore mixtape:
Ghetto music may sound offensive, stupid or dumb to some people but Rebel Up! does not necessarily agree with the content of the lyrics of the songs featured in this mixtape nor glorifies their message here.
about the island of Dominica (from wikipedia)
“Christopher Columbus named the island after the day of the week on which he spotted it, a Sunday (dominica in Latin), 3 November 1493. (…) France had a colony for several years, importing African slaves to work on its plantations. In this period, the Antillean Creole language developed. France formally ceded possession of Dominica to Great Britain in 1763. Great Britain established a small colony on the island in 1805. Britain emancipated slaves occurred throughout the British Empire in 1834. By 1838, Dominica became the first British Caribbean colony to have a legislature controlled by an ethnic African majority. In 1896, the United Kingdom took governmental control of Dominica, turning it into a Crown colony. Half a century later, from 1958 to 1962, Dominica became a province of the short-lived West Indies Federation. On 3 November 1978, Dominica became an independent nation.”
We are excited to announce the return of global producer/DJ extraordinaire MAGA BO to Amsterdam and where better to host him than OCCII! Expect OCCII’s dancefloor to be transformed into a hot, booming, subtropikal cave. There will be great music, there will be dancing and there will be sweating – this is going to be a night not to be missed!
=========MAGA BO (BR)=========
Rio de Janeiro based Maga Bo has carved out his name in the “global bass” world (though we think he was making it before the term even existed!) for his futuristic mix of worldwide organic, traditional sounds with urban, bass ridden, sound system culture. His productions blend and blur global influences from dancehall, kuduro, cumbia, afro-brazilica and hip-hop into an infectious, club ready international sound. His latest album, the critically acclaimed ‘Quilombo do Futuro”, is a mind-blowing 21st century take on traditional Afro-Brazilian music, combining maculelê, coco, samba, jongo etc with hip-hop, dub, dancehall beats, ragga, kuduro and electronic bass.
=========PROCESS REBEL (NL)=========
As if that wasn’t enough, we are lucky enough to have local bassario Process Rebel join for a special live collaboration with Maga Bo. Process Rebel has gained a reputation for his ability to traverse and unite the spectrum of global electronic music, seamlessly weaving together dub, dancehall, hip-hop, bass and the countless inversions of worldwide electronica.
=====SUBTROPIKAL & REBEL UP! SOUNDCLASH (FROM ALL OVER)=====
Joining forces to co-produce this event, SubTropikal and Rebel Up! Soundclash share the same philosophy: bringing you the freshest genre blending, top quality, global-digital sounds!
Expect some fine tropical bass mashed with furious folklore, non-stop dance 🙂
Profit of the night goes to charity Coucha Camp Refugees in Morocco. 262 refugees are on hungerstrike due to closure of their UNHCR camp in Medenine. more info; http://chouchaprotest.noblogs.org/
a quick Brussels shoutout for 2 upcoming evenings/nights.
This Thursday 29 march @ KultuurKaffee, there’s another free KK World night; a special Suriname night! The Suriname/Dutch bands Kara Dara and Lobi Firi from Amsterdam will play their special kaseko funk and kawina styles which have heavy roots in west-African musical soil, but with a seriously latin/caribbean twist to it. doors open at 19:30, bands on around 20:30.
More info, see the KultuurKaffee site or the FB event.
On Thursday 5th of april @ cafe Bonnefooi is another special free night; our good friends of the Brussels Up! soundsystem are supporting cumbia dancehall duo Fauna from Buenos Aires (ZZK records, AR) who will play a live set. It´s free in!
Fauna expected to be on somewhere after midnight, check out their neo-tropical flashy video, oh!
-without Rebel Up dj Sebcat though, as he´s travelling and spinning here and there in Brazil & Argentina the next 4 weeks-
hasta la pasta!
Wahey, next Rebel Up! party coming up!
This one will be a *Rio vs Sampa Brazilian cidade clash*. We will guests from Brazil’s 2 biggest and most famous cities; Rio de Janeiro & Sao Paulo. Anyone familiar with these cities will know it; these cities are overly vibrant with music, culture and liveliness! For that very same reason they are also each other’s nemesis and created some good old rivalry. The Carioca’s (inhabitants of Rio) think themselves as the most life enjoying people while the Paulista’s (inhabitants of Sampa -or Sao Paulo-) see themselves as the centre of Brazilian culture. Oh dear, but on this night the rivalry will have a delicious taste where Maga Bo and DJ Tudo will be giving their best sounds.
Maga Bo (US/BR/Rio) is the messenger of things exotic, broken and mashed up. expect a live dj set with furious bass line that will wobble on capoeira rhythms. Ever touring the world as a soundman and general globalteer, it will be his 3rd time(!) already at Rebel Up! but it’s always an honour to have him. Both times he played with us, it was a FULL house! Check out his site or myspace for sounds & mixes.
DJ Tudo (BR) hails from Sampa and this is only the first time he comes to Holland! His sound is a varied mix of samba, bossa nova, capoeira , forro and other Brazilian dance styles with some sweet breakbeat and electro bass added for full effect.
During the night, your faithfull Rebel Up! crew will take care of globetrotting dance sounds, cult spheres and colourfull visuals. We also will be joined by US ex-patriate Process Rebel, living in A’dam nowadays. He’ll bring a full clash of rootsical mashups with a global ‘up yours’ attitude 🙂
We also will have a special photo exhibition by Enno de Jong (A’dam, 1967), who has made an amazing serie about the street Children of São Martinho, Rio. This exhibition is a combined project of 1991 and a recent revisit in 2009. See below the photo of Marina in 1991 & 2009. www.PositiveIndustries.nl
As you know, we dig the charity cause and we have again selected Brazilian organisation IBISS, who do multiple street projects in the Rio area. We’ll go around with a collection box during the night or you can donate at the door!
More info: www.ibiss.info
Saturday 21st nov @ OCCII
Amstelveenseweg 134 (tram #1 (stop Overtoomsesluis) or #2)
doors open 22:30 till late,
6 Euro fee. ~Profit goes to charity~!