Satanique Samba Trio is back with another mini-album, made during this everlasting confinement.
F O R R Í V E L – Halloweeen / Dia das Bruxas special, get it on our Bandcamp.
After 10 albums dedicated to the aesthetical disassembling of Brazilian music’s most recurrent clichés, Satanique Samba Trio aims its ongoing research at a new formula for musical fuckery: the artificial combination between forró, the popular Brazilian groovy rhythm and horror synth, the not-so-popular music genre extracted from old keyboard-ridden horror film scores.
Think of what would happen if the most syncopated of all Brazilian folk rhythms incorporated a bunch of obsolete-but-nowadays-trendy giallo soundtrack tropes. Mathematically speaking, forró + horror synth = forrór synth. And that is where Forrível is coming from.
Well, enough of homework. It’s Halloween once again (or Dia das Bruxas – Witches Day, as it’s called in Brazil) – and it’s raining in Brazil. As we are slowly descending into a renewed global lockdown, here some soundtrack sounds for these dark times.
New release coming up on Rebel Up Records this wednesday 27.05 the debut mini album Klein Gevaarlijk Afval by Brussels world jazz trio schroothoop.
mysterious world jazz with DIY instruments
Brussels-based trio schroothoop (Dutch for ‘junk yard’) is formed by Rik Staelens (wind & string instruments), Timo Vantyghem (bass & clarinet) and Margo Maex (percussion). Their tribal oriented debut mini-album titled ‘Klein Gevaarlijk Afval’ (Small Dangerous Waste) features homemade instruments built from lost and found objects like scrap wood, old metal or anything that would end up in a landfill. The band’s music is infused with sounds from around the world orchestrated by PVC flute melodies, jerry can beats and washtub bass lines.
Mysterious world jazz with Northern African chaabi, South American reggaeton, Eastern oriental melodies and Afro-Cuban rhythms, resulting in a danceable and hypnotic trip through the Brussels melting pot.
Post production and mixed by David ‘Dijf’ Sanders and mastered by Jürgen de Blonde (KOHN).
Artwork by Eva Lynen on screen-printed on cardboard covers in the studio of the Brussels collective Hashët. Limited to 15 handmade vinyl copies only. Sold out already, but end of June we expect a proper vinyl release of the album in bigger numbers. Available digital on our Bandcamp, as well as the official vinyl pre-order at discounted price for 1 week.