Sat 22 Nov > Rebel Up! Soundclash: Chancha Via Circuito (AR) + Muevelo! dj’s (Grandpamini & Pedrolito)

rebelup_22nov_poster_smallYo folks,

our next Rebel Up! Soundclash party has a Latin-American flavor, with special guests from Argentina & Chile! You know what that means! Cumbia, cumbiaton, reggaeton, merengue, dembow, tribal, global bass, andean folklore, narco electronics & twerk folk! In short; not to be missed 🙂

with special guests >
Chancha Via Circuito
One of the foremost exponents of Argentina’s digital cumbia scene, Pedro Canale aka Chancha Via Circuito has released 2 albums on Buenos Aires’ famed ZZK label and just released his 3rd album Amanasara on Brussels label Crammed Discs. Their blend of Argentinian folklore, Paraguayan harp and Andean mysticism, all processed through Pedro Canale’s own futuristic strain of electronic music, has garnered great reactions: the albums were hailed by Pitchfork and the New York Times, among others, and Chancha was enlisted for remix work by Gilles Peterson and Gotan Project. Expect a set of dubby cumbia and minimal electronic folk spheres straight from the Andes!
https://soundcloud.com/chanchaviacircuito
https://soundcloud.com/wonderwheel-recordings/chancha-via-circuito-amansara-mixtape

 

Muevelo! (Grandpamini & Pedrolito)
This Chilean/ Argentinian duo runs the famous Parisian Muevelo parties and are the top of the cream of new latino bass sounds from the americas. Some years ago Grandpamini already made Brussels sweat at a Nightshop party in the Recyclart and we’re happy to invite him again to play his own fun edits of reggaeton beats and tropical bass. mas perreo, mas perreo! Pedrolito is his sidekick at Muevelo and runs a saboroso radio show for Groovalizacion radio. Expect a heavy suave mix of villera street cumbia, tropical bass and dancehall.
https://soundcloud.com/grandpamini
https://soundcloud.com/pedrolitoradioglobal
http://www.mixcloud.com/Pedrolito/

 

Hosted by Rebel Up! dj’s SebCat & LeBlanc
As residents and hosts of the night, Sebcat & LeBlanc will warm up the night and keep it going till late. Expect as always a diverse and eclectic mix of tunes from around the world. Global bass, digital folk pop, any good beats from the global south, rooted in local traditions… Select global, play local!
http://www.mixcloud.com/rebel_uppa/

Visuals by VJ Alerta
Tropidelic visuals by this Chilean wonder girl, who colourfully mashes traditional and modern latin spheres together into a warm digital experience. Wonderful eyeporn for dirty dancing
http://cargocollective.com/alerta

supported by Crammed Discs

FB event here.
5€ before midnight, 7€ after.
@ Salle Rogier *last Rebel Up! party before it closes end of december!!!!*
Passage Rogier, Karel Rogierplein 30 Place Charles Rogier, 1210, Bxl  (metro Rogier)
behind the square & Rogier tower, under Brabant tunnel
google maps >
http://tinyurl.com/sallerogier

 

fresh Rebel Up! mixtape > Bouyon Hardcore 2k13; rough Creole dancehall-soca from the French Caribbean isles

Be prepared for 70 minutes of fast Carribean party beats at 155BPM, it’s time for ‘Bouyon Hardcore’!

Bouyon Hardcore 2k13 mixtape by Rebel Up! on Mixcloud

Bouyon is a kind of soca music from the Lesser Antilles island of Dominica, which originated in the late 80’s and is said to be invented by the band Windward Carribean Kulture.

Also, ‘bouyon’ is creole for the French word ‘bouillon’, which means ‘stock’ or ‘soup’ as a metaphor for the music which is a blend of different local (Carribean) styles, a musical ‘soup’.

According to Wikipedia: “Bouyon in effect represents a fusion of zouk and soca music but also draws upon cadence-lypso, jing ping and lapo kabwit elements in term of rhythms. Bouyon music is very dependent on the drum machine, cowbell and keyboards with guitars receding into the background. As such, it has a very strident rhythm and is aptly referred to as jump up music by the population in Guadeloupe and Martinique.”
some examples of these fusion styles >

Lapo kabwit

Cadence-lypso

An article at Cakafete Family elaborates further; “Like the other Francophone musics of the Lesser Antilles, Dominican folk music is a hybrid of African and European elements. The quadrille is an important symbol of French Antillean culture, and is, on Dominica, typically accompanied by a kind of ensemble called a Jing Ping band. In addition, Dominica’s folk tradition includes folk songs called bélé, traditional storytelling called kont, masquerade, children’s and work songs, and Carnival music.”

some Jing Ping sounds:

From the start, bouyon bands and producers mixed up acoustic, electric and electronic sounds and instruments like accordeon, synth, organ, guitar, bass, brass, drums, steel pans etc.
A mix by dj Easy of old skool bouyon:

But under the influence of a global dj-culture – the emergence of dj’s, mc’s, producers, clubs and new music production technologies – the bouyon sound has evolved into rough digital club music. In the Carribean, in terms of music output, probably the most dense and diverse region of this planet, it’s of no surprise that ragga dancehall from Jamaica or Martinique and soca from St Lucia, Grenada or Trinidad, were a big influence on the evolution of bouyon.

Reketeng or bouyon dancehall (muffin)
:

Bouyon soca from St Lucia:

Power soca from Grenada:

“On pourrait même faire un deuxième volume du kamasutra en regardant les différents « main a tè…, fess en lè ».”. (“Looking at the different “hands on yer…, booty in the air”, one could even make a second volume of the Kamasutra”)

A recent new substyle – from the last 3 years or so- is called ‘hardcore‘, with ‘bouyon gwada‘ as its Guadeloupean equivalent. It is bouyon with raw, often explicit sexual or violent lyrics, either in English, French or Creole, on heavy percussive riddims while melodies sound cheap, simplified and stripped down. Often one succesful riddim has, in a true reggae dancehall style, different versions. The accompanying dance moves are a mix of booty shaking and dynamic adult sex positions, kind of similar to American twerking, Ivorian mapouka (https://www.youtube.com/watch?v=0IbJZ23yrUA) or Brasilian ‘popozuda’ shaking in baile funk (https://www.youtube.com/watch?v=dnnApv5940A).

This new bouyon from the French Antilles is gaining popularity all over the Carribean, competing with the local dancehall scene for the attention of the audience, although the lines between the two scenes are blurred. With dancehall singers doing bouyon and vice versa, playing for the same kind of audience.

Internationally, it took until december 2012 before the first dominican and guadeloupean mc’s and dj’s came to Paris, home to a large part of the antillian diaspora in France. There’s a 50 min documentary in French & creole of the first and impressive performance in Paris of Suppa, Gaza Girls, Dj Joe and others, although the questions of the interviewer are not necessarily more interesting than the answers of the interviewees, which we don’t fully understand neither, because it’s in Creole.
Docu:

And another docu:

Unfortunately, bouyon is also ‘hardcore’ because of an associated context of violence, drugs, alcohol and weapons, which relates to the state of global poverty as experienced in the ‘banlieues’, ‘favela’s’, ‘musseques’, ‘townships’, in short, the ‘slums’ of this world. And it can go pretty fast sometimes, with the featured singer General Suppa been stabbed to death in May 2013 and more recently, with Miky Ding La, who has been shot during a show, but survived with only light injuries.

Footage from Suppa’s funeral in bouyon style:

With Miky Ding La (weed, tou lè jou!) we’re in the heart of a ‘worried parents’ storm. A Guadeloupean article for example, first neutrally discusses its origins, then turns into rejecting bouyon for being ‘pornophonie’ to finally call for a ban. One of the comments:
“Si on devait se mettre à la place d’un cerveau pour imaginer toutes ces paroles, la première chose qui vous viendrait à l’esprit c’est un film porno ! Alors si un film porno est interdit au moins de 18 ans… le Bouyon Gwada devrait l’être aussi ! Logique non ? … Ben non !”
translation > “If we had to put ourselves in the place of a brain in order to imagine all these words, the first thing that would come to mind is a porn movie! So if porn movies are forbidden for -18 years, then the Bouyon Gwada should also be forbidden! Logical, no? Apparently not!”

This is probably the nightmare they’re thinking of:

and this recent blogpost shows Dominican complaints about the new Triple Kay song ‘Pum Pum Getting Big’

From a local point of view we can’t tell how popular or how marginal it is in Guadeloupe. Although, looking at the relative high numbers of hits on youtube ranging in average from 5.000-50.000+, for clips from bouyon artists coming from such small islands (70.000+ people), you can imagine that the battle for censorship will be tough to continue.

capture

On the other hand, the bouyon club music is also an example of how cheap computers, midi interfaces, internet access, Fruity Loops and other free or cracked music software, have become global catalysts for creating new music styles in a DIY fashion, which are, unlike most euro-anglo-american pop, firmly rooted in local, transnational and diasporic music traditions. The Fruity Loops generation makes tribal guarachero, baile funk, kwaito house, coupé décalé, azonto, kuduro, pandza, digital cumbia and bouyon is certainly no exception to this.

After making this mixtape, we found out that earlier this year, the great German dj and selector Marflix had already made an excellent podcast of bouyon. His mix features some of the riddims we also picked up, but in different versions and it is more soca influenced: http://marflix.me/2013/03/riddims-tropicale-29-bouyon-edition/

disclaimer to our Bouyon Hardcore mixtape:
Ghetto music may sound offensive, stupid or dumb to some people but Rebel Up! does not necessarily agree with the content of the lyrics of the songs featured in this mixtape nor glorifies their message here.

about the island of Dominica (from wikipedia)
“Christopher Columbus named the island after the day of the week on which he spotted it, a Sunday (dominica in Latin), 3 November 1493. (…) France had a colony for several years, importing African slaves to work on its plantations. In this period, the Antillean Creole language developed. France formally ceded possession of Dominica to Great Britain in 1763. Great Britain established a small colony on the island in 1805. Britain emancipated slaves occurred throughout the British Empire in 1834. By 1838, Dominica became the first British Caribbean colony to have a legislature controlled by an ethnic African majority. In 1896, the United Kingdom took governmental control of Dominica, turning it into a Crown colony. Half a century later, from 1958 to 1962, Dominica became a province of the short-lived West Indies Federation. On 3 November 1978, Dominica became an independent nation.”